Primers for Sony A6300
Achieved:
– Designed for A6300/6500 sensor, Slog2 and Cine4 modded profiles
– Greatly improved color accuracy, stability, separation, harmony & consistency throughout signal range
– Reduced image deterioration with XAVC-S codec workflow, compared to typical primary color correction and generic LUTs
– Superior handling of highlight and saturation extremes
– Minimal noise floor
– Most stable texture
– Analogue response signal treatment for organic, natural, film-like imagery
– Visually referent colorimetry with cinematic image feel
– Superior definition and dimensionality
– Optimal image preview for monitoring and spot-on exposure
– Scene-independent
– Unified Colour Philosophy for matching with other cameras using Primers
– Designed for high-quality post-production, normalized and stabilized response
throughout the signal range
– Greatly improved color accuracy, stability, separation, harmony & consistency throughout signal range
– Reduced image deterioration with XAVC-S codec workflow, compared to typical primary color correction and generic LUTs
– Superior handling of highlight and saturation extremes
– Minimal noise floor
– Most stable texture
– Analogue response signal treatment for organic, natural, film-like imagery
– Visually referent colorimetry with cinematic image feel
– Superior definition and dimensionality
– Optimal image preview for monitoring and spot-on exposure
– Scene-independent
– Unified Colour Philosophy for matching with other cameras using Primers
– Designed for high-quality post-production, normalized and stabilized response
throughout the signal range
Package contains:
12 Primers for Cine4 S-Gamut3.cine & S-Log2 S-Gamut3.cine > rec.709 (33^3 cube)
Additional info:
CAMERA SETUP 1: Cine4 gamma, S-Gamut3.Cine color, saturation: 20; black gamma: wide, level +3; Knee:mode manual, point 75%, Slope +5
CAMERA SETUP 2: S-Log2 gamma, S-Gamut3.Cine color, saturation: 25
UPDATE IN THE WORKS
CAMERA SETUP 2: S-Log2 gamma, S-Gamut3.Cine color, saturation: 25
UPDATE IN THE WORKS