Arri standard LUT compared to Primer 06 DMaxFilm with most density and more film-like saturation handling
Primers EQX for Arri
Achieved:
– Designed for ALEVIII sensor, LogC, full range,
– Cameras analysed and Primers tested on: ALEXA XT, SXT, Mini, Mini LF & Amira
– Superior color accuracy, stability, separation, harmony & consistency throughout signal range
– Full utilization of sensor dynamic range and gamut
– Minimal noise floor
– Most stable texture
– Analogue response signal treatment for organic, natural, film-like imagery
– Superior highlight handling
– Visually referent colorimetry with cinematic image feel
– Superior definition and dimensionality
– Optimal image preview for monitoring and spot-on exposure
– Scene-independent
– Unified Colour Philosophy for matching with other cameras using Primers
– Designed for high-quality post-production, normalized and stabilized response
throughout the signal range
– Cameras analysed and Primers tested on: ALEXA XT, SXT, Mini, Mini LF & Amira
– Superior color accuracy, stability, separation, harmony & consistency throughout signal range
– Full utilization of sensor dynamic range and gamut
– Minimal noise floor
– Most stable texture
– Analogue response signal treatment for organic, natural, film-like imagery
– Superior highlight handling
– Visually referent colorimetry with cinematic image feel
– Superior definition and dimensionality
– Optimal image preview for monitoring and spot-on exposure
– Scene-independent
– Unified Colour Philosophy for matching with other cameras using Primers
– Designed for high-quality post-production, normalized and stabilized response
throughout the signal range
Package contains:
– 6x 33^3 Arri Log-C > rec.709 .cube 3DLUT files for monitoring
– 6x 64^3 Arri Log-C > rec.709 .cube 3DLUT files for post production
– Primers info document
– 6x 64^3 Arri Log-C > rec.709 .cube 3DLUT files for post production
– Primers info document
EXAMPLES
Primer EQX for Arri example 01
Primer EQX for Arri example 01 B – cold tonal balance
Primer EQX for Arri example 01 C – warm tonal balance
Primer EQX for Arri example 01 D – Primer 06 DMaxFilm
Primer EQX for Arri example 02
Primer EQX for Arri example 03
Primer EQX for Arri example 04
Primer EQX for Arri example 05
Primer EQX for Arri example 06 A – Primer 06 DMaxFilm
Arri standard LUT compared to Primer 06 DMaxFilm with most density and more film-like saturation handling
Primer EQX for Arri example 06 B – Primer 01 Base
Arri standard LUT compared to most flat Primer 01 Base with greater control over image extremes
Primer EQX for Arri example 07 A – Primer 06 DMaxFilm
Primer EQX for Arri example 07 B – Primer 06 DMaxFilm (push)
Arri standard LUT compared to Primer 06 DMaxFilm pushed pre-LUT
Primer EQX for Arri example 08 A – Primer 06 DMaxFilm
Arri standard LUT compared to Primer 06 DMaxFilm with most density and more film-like saturation handling
Primer EQX for Arri example 08 B – Primer 01 Base
Arri standard LUT compared to most flat Primer 01 Base with greater control over image extremes
