Image mastering tools for production and post
Top quality image performance
Every camera is capable of producing superior final image then camera presets, standard LUTs and standard colour management processing allows.
Through immense scope of work we brought this potential to reality.
Then we went from superior to the utmost.
For Cinematographer
Visually referent natural image to feel the shot, nail exposure and rely on later in post
For DIT
Accurate, reliable and practical toolset for fast set workflow
For Colourist
Utmost image qualities in intuitive post production
Mastered with
Colour: Natural. Unified.
Visually referent non-linear image data mapping. Multitude of image properties at their best.
Once converted to the same reference, cameras match nicely.
Simple.
No need for additional processing, plugins or robots.
Image data optimisation
Machine imagery humanised, image data naturalised.
Primers achieve transformation from machine coded log to natural optical domain.
Creative works on creative look on top of best image performance basis.
Scene independence
Sensor response-specific colour processing addresses highly complex, subtle and extremely specific sensor & base colour science properties to form the optimal base image. You take care of simple tonal balance to compensate for the scene light variable.
Same base colour processing works across all scenes.
Camera colour management: simplified, optimised
No need for IDTs, CSTs and multiple transformations for base image formation and camera unification.
Omnichroma achieves complex multi-stage processing and multiple data-image optimisations embodied within high quality Primers 3DLUT.
Pick your camera. Apply Primer. Done.
More time and focus left for creative part.
Same tools for monitoring and post
Standard log conversions lookup tables are destructive and unreliable for high quality post.
Typically, 3DLUTs can cause texture deterioration, noise enhancement, tonal deviations, clipping, loss of tonal density, degradation of volume and depth, loss of detail, harsh falloffs, many inconsistencies and other complex issues which cannot be undone later in the image pipeline.
Omnichroma custom developed processing assures avoiding the issues and achieving top quality results.
Same Primers for SDR and HDR
Standard LUTs and colour management do not achieve proper non linear image data distribution, mapping full camera’s recording range for display adequately and naturally, allowing adequate scaling from SDR to HDR.
Primers do.
For HDR output simply apply SDR>HDR CST at the end.
Same Primer, same grade, different output.
